“Christopher Pike and Riverdale vibes will entice readers looking for subtle supernatural romance and small-town drama, all topped with a face-off against a menacing secret from the past.” —Booklist

What inspired you to create SIX OF SORROW?

I was just coming off of writing STARLINGS which has some pretty heavy themes of generational trauma and sacrifice, lots of death, etc, and I wanted to create something light and fun! The funny thing is, this always happens—my stories begin as a response to a previous story that went darker than I anticipated and has left me *slightly* emotionally exhausted. So, I start the new, shiny ideas and inevitably, through the process of drafting and revisions, end up in the exact position I was trying to crawl my way out of! Now, there is lots of fun in SIX OF SORROW—it’s got a kind of nostalgic lightheartedness of 90s teen horror/thriller novels that I loved growing up—but there are certainly some more serious threads woven throughout as well. There are girls fighting an evil entity, witchy magic, sickly cheerleaders, a dramatic school dance scene, and more—those are some “fun” elements that carried over. And I’m so glad they stayed! But personally, I think one of the best things about it is the contrast between those elements and the other side—the eerie atmosphere, the lurking villain, the body horror. Those ideas combined is what makes this book what it is. And the cover is such a perfect representation of the story. That gorgeously-girly hot-pink—complete with a little blood.

What was the most difficult part about writing the book? What part was the easiest? 

The most difficult? Loaded question! I definitely suffered from “second book syndrome” like a lot of authors. I had this idea in my mind of what the story was, not just the tone of it, but the plot points. Through revisions—many, many rounds—I realized a lot of things had to change. My first few drafts were too complicated, too many elements. Multiple villains, multiple layers that didn’t quite melt together. It didn’t feel cohesive and I had a ton of worldbuilding issues. I couldn’t answer important questions, and that weighed down the believability. With the help of my editor, I was able to unravel these threads and simplify. It was all worth it in the end! But of course, during the process, my self-confidence and my confidence in the story took a big hit. I kind of doubted we would ever see the end of the process, so to be here, just two weeks out of publication, feels pretty amazing. I’m really proud of this book.

What element of the story do you identify with the most and why? 

There really is so much of me in this story. So many of my loves threaded into it. My editor said it feels like “an ode to being a teenage girl” which I just had to repeat in the acknowledgments (and now here too, I guess), but really, to me, it feels like an ode to being teenage me. So many things that helped form me, so many past (and current) obsessions, made their way into the story. It’s like a dash of this old book, and this old book, and this old book. The vibes of this movie and that movie. The feeling I had while reading/watching/singing/listening to that, that, that. The ache of first love and the complexities of growing up. It’s all kinds of experiences and loves and delights rolled up into one and wrapped in some of my fears, too. And so much of it wasn’t even intentional! I am still discovering moments within it that light up a bulb in my memory. It is the kind of book that would have delighted me at fourteen—and still does at forty-one!

What do you want kids to take away from this story? 

I’d love them to fall in love with the friend group, to find them as precious as I do. To champion the sweet queer love story. To find a favorite character that they resonate with. Mostly, I hope that teen readers enjoy the book. I hope they have a good time with the story. And I wouldn’t be mad if they got goosebumps once or twice.

What are you currently reading? 

Last night, I finished I WISH YOU WOULD by Eva Des Lauriers, a fellow Writing With the Soul alumni—a perfectly-angsty summer YA second-chance romance. So that means today I get to start LEGENDBORN by Tracy Deonn, which has been on my TBR forever. I just know I’ll love it!

Is there anything else you’d like to share?

In the end, I hope I’ve captured the complexities of friendships, particularly those we develop as adolescents. I hope I’ve portrayed these girls authentically—because they sure feel real to me. None of them are perfect, and their relationships with each other certainly haven’t always been. But we know humans aren’t perfect. That’s why we are interesting. That’s why we want to read stories about other humans. If everyone made the right decisions all the time, the smartest decisions all the time, there’d be no growth. No story. Nothing worth fighting for or reaching toward. Their history is messy and full of mistakes, which I think a lot of readers will resonate with, but it’s also full of love. I hope that shines through the pages.

The Fresh Voices series is in coordination with the RHCB DEI Book Club committee.

What inspired you to write Rabia’s Eid? 

I wanted to see if I could explore this new genre of early reader books with an Eid story that says something new. I remember my learning to read journey. Back then the books were very limited! I never saw anyone in them that looked like me or celebrated Eid!

Right now, there are a plethora of lovely Eid books out there and I wondered if I could come at it from a new perspective. I think this is the first early-to-read book about the subject.

Click here to watch a Youtube video for Rabia’s Eid.

What was the most difficult part about writing the book? What part was the easiest? 

What was the most difficult? The format! With easy readers you can’t overwhelm the reader with too much text. There are all kinds of specifications that I wasn’t aware of. And fitting a story within those line breaks etc. was challenging. It’s really given me an even greater respect for these types of books!

What part was the easiest?

Remembering how a little girl like Rabia would experience Ramadan!

What element of the story do you identify with the most and why?

The moment I identify most with is when Rabia’s father asks Rabia to put the ‘Fitr’ (the mandatory charity of feeding one poor person for each person in your family) in the box, she looks out at the crowd and realizes all of them gave enough to feed a poor person for the day. That was the moment that I realized it, too.

I’ve been going to Eid prayer for over fifty years, and I witnessed thousands of people gathered. It never occurred to me that our very presence meant thousands of poor people had been fed. The focus was always on the end of the month of fasting, but that’s not what the holiday is called! In fact, Eid ul Fitr is the first day of the month AFTER Ramadan, Shawwal. And it’s called Eid ul Fitr because of that mandatory charity we give.

What do you want kids today to take away from this story?

I want them to know there’s a time for fun stuff (the henna and pretty dresses) and there’s a time to do good stuff (give charity to help others). The best times in our life do both!

What are you currently reading?

I am currently reading about the idea of pride and honor in the antebellum South.

If you could share one aspect of being an observant Muslim with young children, what would it be?

When I first started practicing Islam it looked like it would be so hard. I find Islam to be simple and easy. If you pray five times a day, fast for one month in a year, help feed the poor, dress modestly, be honest and nice to people—God will love you and you’ll go to heaven.

The Fresh Voices series is in coordination with the RHCB DEI Book Club committee.

What are you currently reading?

I’m currently reading The Will Darling Adventures by KJ Charles! It’s a queer Adult Historical series and I’m on the third book, Subtle Blood. It’s been a lot of fun to listen to while I work on my latest crochet and knit projects. 

What inspired you to write The Diablo’s Curse?

I had so much fun writing Dami in The Wicked Bargain that writing them as the star of their own book felt like a natural next step. I’d left some loose ends for Dami at the end of The Wicked Bargain that gave me material to work with, but it wasn’t quite enough for a full plot I was happy with. At the same time, I’d wanted to write some kind of heist or adventure book in which the protagonist badly needs help from someone they’ve wronged—and it occurred to me this kind of setup would work well with Dami, given the number of demon deals they’ve made. With those two elements in place, the rest of the plot fell into place! 

What was the most difficult part about writing the book? What part was the easiest?

The Diablo’s Curse was one of the most difficult books I’d written in a long time, which really took me by surprise! I don’t have a definite explanation, but some books flow really easily while you’re writing while others you have to fight for every word—and The Diablo’s Curse was the latter (which isn’t to say I didn’t enjoy writing it—it was just a challenge!). I think one of the more difficult elements was getting the balance of what exactly happened on the island right. There were a lot of changes from first draft to last there, from characters removed, to scenes fully re-written, to other elements cut entirely and replaced with new ones. Ultimately, I’m very happy with where we landed, but it took a lot of careful revisions to get it right.

As for the easiest…somewhat hilariously, one of the very first scenes I wrote was the short scene where Dami meets a horse named Carrot. I don’t know why this scene came to me so vividly (and before I’d really even started drafting!) but it came out near-perfectly and went through very few changes, if any, from first draft to last!  

What element of the story do you identify with the most and why?

At the beginning of The Diablo’s Curse, Dami is someone who has been made to feel monstrous and undeserving of love. Sadly, this is an experience shared by a lot of queer people, particularly during eras where queerphobia is on the rise in mainstream media and politics, like it is today. As a trans person surrounded by truly horrifying dehumanization of trans people from politicians and waves of online trolls alike, the experience of feeling undeserving of good things because of internalized toxic messaging was one I was all-too familiar with when I began writing The Diablo’s Curse. In many ways, Dami’s story in which they overcome the lies they’ve heard about who they are, and accept that they’re worthy of love, friendship, and loyalty was healing to write. 

What do you want kids today to take away from this story?

I love writing marginalized characters as heroes of an adventure where their queerness isn’t called into question because all types of people can be heroes! Whether it’s a search for cursed pirate treasure, a world with magic and dragons, a futuristic adventure on a spaceship, or a cozy love story, there isn’t any genre in which queer people don’t belong. I hope The Diablo’s Curse helps more queer, trans, and Latinx kids see themselves as heroes capable of having adventures—and I hope it helps present a world they deserve, a world in which who they are isn’t a source of conflict, and instead is accepted as a beautiful and intrinsic part of them. 

Why did you choose to write historical fiction for both THE DIABLO’S CURSE and THE WICKED BARGAIN? What about this time period is important to these stories?

One of my favorite parts of writing queer historical fiction is I get to help rewrite the incorrect—but common—narrative that queer people are a “new phenomenon.” Though historical queer people have often been erased and straightwashed, queer people have been here since the beginning of time, and I love writing stories that highlight that reality. There isn’t a single time period where queer people don’t belong—because we have always existed, and we always will. 

The Fresh Voices series is in coordination with the RHCB DEI Book Club Committee.