Creator Q&A

Carl Hiaasen Q&A

Wrecker

Wrecker By Carl Hiaasen

Wrecker needs to deal with smugglers, grave robbers, and pooping iguanas—just as soon as he finishes Zoom school. Another wild adventure in Carl Hiaasen's Florida, now in paperback!

Valdez Jones VIII calls himself Wrecker because his great-great-great-great-great-grandfather salvaged shipwrecks for a living. 

So is it destiny, irony, or just bad luck when Wrecker comes across a speedboat that has run hard aground on a sand flat? The men in the boat don't want Wrecker to call for help—in fact, they'll pay him to forget he ever saw them. 

Wrecker would be happy to forget, but he keeps seeing these men all over Key West—at the marina, in the cemetery, even right outside his own door. And now they want more than his silence—they want a lookout.

He'll have to dive deep into their shady dealings to figure out a way to escape this tangled net. . . .

Carl Hiaasen

Carl Hiaasen

CARL HIAASEN was born and raised in Florida. He is the author of fourteen previous novels, including the bestsellers Squeeze MeRazor GirlBad MonkeyStar IslandNature GirlSkinny DipSick Puppy, and Lucky You, and six bestselling children’s books, HootFlushScatChompSkink, and Squirm. His most recent work of nonfiction is Assume the Worst.

carlhiaasen.com

CARL HIAASEN is available for select readings and lectures. To inquire about a possible appearance, please contact Penguin Random House Speakers Bureau at speakers@penguinrandomhouse.com or visit prhspeakers.com.

Harlem at Four

New from a New York Times bestselling author and a critically acclaimed illustrator!

Painting on an easel.
Harlem at Four

A Stunning and Powerful Picture Book Told In Two Parts

Meet Harlem: the girl and the neighborhood. Part one follows the adventures of a little girl named Harlem and her single father as they go on a museum “playdate” with painters Romare Bearden and Jean-Michel Basquiat, listen to John Coltrane records, and conduct science experiments in their apartment (“The volcano erupts /Red lava on Valentine’s Day!”).

Part two takes us back to the fourth year of the twentieth century in Harlem’s neighborhood. Here, we are introduced to Philip A. Payton Jr., aka Papa Payton, whose Afro-American Realty Company gave birth to the Black housing explosion, helping to start America’s Great Black Migration. Because of Papa Peyton, Black families—like Harlem and her father a century later—could move to Harlem and thrive and flourish.

This is a unique, absolutely gorgeous picture book by New York Times bestselling author Michael Datcher and illustrated by Frank Morris, the Coretta Scott King Award-winning artist weaves together the lives of a modern Black family and a historically Black neighborhood in New York City.

Q&A with Paul O. Zelinsky, illustrator of Cinderella and a Mouse Called Fred

Cinderella and a Mouse Called Fred

A new fairy-tale retelling from award-winning creators Deborah Hopkinson and Paul O. Zelinsky!

Experience a new, uproarious rendition of the classic fairy tale of Cinderella – narrated by the mouse who will ultimately become her coach horse. This version boasts a powerful message of female empowerment and inclusivity, with striking illustrations by Caldecott Medalist Paul O. Zelinsky and written by award-winning author Deborah Hopkinson. The book also delves into the origins of fairy tale pumpkins and how they came to be named as such.

A Q&A with illustrator Paul O. Zelinsky

What message do you hope readers take away from CINDERELLA AND A MOUSE CALLED FRED?

PAUL: I’m happy for young readers not to take any message from this book. What I hope for is any strong connection, of the reader’s own making. Books for children will always be used to teach, but I want them also to do what literature does: engage a human being on as many levels as possible. And the younger the child, the more idiosyncratic and personal the connections that they forge. Cinderella and a Mouse Called Fred has plenty of content you can think about and discuss, but it’s also just funny, and that’s a worthy end in itself.

You have both written and/or illustrated many books for young readers; what draws you to writing/illustrating for children?

PAUL: I wonder why anybody would want to do anything with their life other than make books for children! What else could you make that would be valued more by so many people (and people who are so adorable)? And even if I never had the privilege of meeting young readers in school visits or library programs and seeing their enthusiasm, it would be enough to remember first-hand the feelings that a great children’s book can engender; there’s nothing else like them. And those feelings, those relationships with favorite books, can continue for life.

The Cinderella story has been retold many times; what drew you to the story, and inspired your fresh take on it?

PAUL: I have made my own versions of some classic fairy tales, so I think I know the territory. But of course, my take this time was based on Deborah’s story.  I was also influenced by talking with our editor Anne Schwartz about the manuscript— how it plays with girly and non-girly expectations, and how I could do something similar with the pictures.

Do you have a favorite illustration in the book? Which is it and why?

PAUL: I have to say in all modesty that quite a few of the spreads in the book amuse me, and I don’t have a single favorite.

One picture that I like is of Fred morphing from a mouse into a howling horse. A lot of people will probably assume that I copied Fred’s face from Picasso’s famous painting “Guernica,” with its very similar horses shrieking amid the mayhem of the Spanish Civil War. “Guernica” used to be on exhibit in New York’s Museum of Modern Art, where I saw it many times. I can’t deny the connection with Fred, but it was completely unconscious. I finished my drawing, looked at it, and said “Oh no, I just drew Picasso’s shrieking horse!” Since that moment I have avoided looking at Guernica to see how far the resemblance goes.

When I look at my blasé, bossy, middle-aged Fairy Godmother in this story I have a suspicion that she, too, might be some character I knew in childhood and am unwittingly just redrawing.

Deborah Hopkinson

Deborah Hopkinson

Deborah Hopkinson is the author of many highly acclaimed picture books, including A Letter to My Teacher, which received two starred reviews, and the modern classic Sweet Clara and the Freedom Quilt, which the New York Times called “inspiring.” Her other books include Sky Boys: How They Built the Empire State Building, a Boston Globe-Horn Book Honor Book, and Abe Lincoln Crosses a Creek: A Tall, Thin Tale, an ALA-ALSC Notable Children’s Book. She lives in Oregon with her family.

Paul O. Zelinsky

Paul O. Zelinsky

Paul O. Zelinsky was born in Evanston, Illinois. He attended Yale University, where he took a course with Maurice Sendak, which later inspired him to pursue a career in children's books. He went on to receive a graduate degree in painting from Tyler School of Art, in Philadelphia and Rome. His first book was published in 1978. Among many other awards and prizes, he received the 1998 Caldecott Medal for his illustrated retelling of Rapunzel, as well as Caldecott Honors for three of his books: Hansel and Gretel (1985), Rumpelstiltskin (1987), and Swamp Angel (1995). Paul Zelinsky lives in New York with his wife, Deborah.

Inside the making of MINE! by award-winning collaborators Candace Fleming and Eric Rohmann!

Read a special Q&A with the creators of Mine!

Mine!

Mine! By Candace Fleming; illustrated by Eric Rohmann

This rhythmic read-aloud about sharing by an award-winning author and a Caldecott medalist features a series of hilariously selfish forest animals.

In a tall, tall tree, at the tip-tippy top, hangs a single red apple...
 
    Along skirts Mouse. “An apple!” she squeaks, "How divine! When it tumbles to the ground, it’ll all be mine!” 
    And so it goes, for Hare, Fox, Deer, and Bear, who each can't wait to get their hands on the apple. 
    Soon the wind huffs and puffs, the branch snips and snaps, and down the apple falls. Only one shiny red apple for five furry creatures? What are they to do?! 
    Here is a read-aloud picture book, perfect for storytime, that will have kids repeating the refrain “Mine!”... complete with an ending that celebrates sharing and is sure to surprise! 

Watch the Inside the Illustrators Studio video to see how Michaela Goade (Remember), Eric Rohmann (Mine!), Frank Morrison (Harlem at Four), and Rudy Gutierrez (Window Fishing) create their books.

Candace Fleming

Candace Fleming is the prolific and versatile award-winning author of many acclaimed books for children and young adults. Her most recent picture book, Honeybee, illustrated by Eric Rohmann, received seven starred reviews and the Robert F. Sibert Medal and appeared on countless Best of the Year lists. Candace’s other picture books include Oh, No!, which received three starred reviews, as well as Muncha! Muncha! Muncha!, which received tons of state recognition and was an NYPL and School Library Journal Best Book. Visit her on the web at candacefleming.com.

 

 

Eric Rohmann

Eric Rohmann is the author/illustrator of the Caldecott Medal-winning My Friend Rabbit and the Caldecott Honor Book Time Flies. He also illustrated Candace Fleming’s Giant Squid, which received three starred reviews, and Honeybee, recipient of the Robert F. Sibert Medal, which the New York Times called “positively riveting.” Visit him at ericrohmann.com

Behind the Book: Once in a Blue Moon by Sharon G. Flake

Once in a Blue Moon

Once in a Blue Moon By Sharon G. Flake

A beautiful and uplifting novel in verse about family, friendship, journeys that take us far from home and back again, renewed and more courageous from the three-time Coretta Scott King Honor winner of The Skin I'm In!

James Henry used to be brave. He hasn't been the same since that fateful night at the lighthouse when his ma went searching for Dog. Now months later, he feels as small as the space between the numbers on a watch, nervous day and night, barely able to go outside. Even words have a hard time leaving his mouth. The only person he speaks to is Hattie, his courageous twin sister, who fiercely protects him, especially from bullies.

James Henry wants nothing more than to be brave again. However, finding his voice will mean confronting the truth about what happened at the lighthouse-a step James Henry isn't sure he can take. Until a blue moon is forecast, and as Gran has said, everything is possible under a rare blue moon . . .

* "An evocative, immediate novel with compelling characters and a wonderfully well-paced plot." —The Horn Book, starred review

A Letter from Sharon G. Flake to her readers

Read a Q&A with author Sharon G. Flake

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